Front Park\u27s Past and Future

Front Park is a 26-acre urban park in Buffalo, New York. The park entrance is located on Porter Avenue. The park is bounded on the west by interstate 190, on the north by the Peace Bridge truck plaza and on the north by Busti Avenue and the adjacent Columbus Park-Prospect Hill neighborhood. Front Park is part of Buffalo’s Olmsted park system. The park system takes its name from its most prominent original designer, Frederick Law Olmsted Sr., a nationally renowned landscape architect who along with his partner, Calvert Vaux, designed parks and park systems across the country, including New York City’s Central Park. Olmsted’s work in New York City garnered the attention of prominent Buffalonians, who hired him to design a park system in 1868. Buffalo’s Olmsted park system was designed over a nearly 50-year period, from 1869 to 1915

Birch Hill Park: A Case Study of Interpretive Planning

The Fairbanks North Star Borough Parks and Recreation Department is responsible for the planning, acquisition, development, improvement, and maintenance of lands and facilities to meet the community's needs for park and open space lands in accordance with established standards. 1 Current department emphasis is on sports facilities and programs. Some small neighborhood parks and the Growden Park and Picnic Area are the only significantly developed areas in which organized sports are not emphasized. Birch Hill Park was acquired to expand the spectrum of recreational resources and opportunities available to borough residents. Cross-country skiing, both competitive and recreational, is an important winter activity, but the area's size and its natural environment provide for a variety of other uses. The park has a summer youth camp, and planned developments will enhance the opportunities for visitors of all ages to picnic, hike, and study nature. This paper presents a direct contribution to the diversification of the borough's recreational program by highlighting the interpretive resources and opportunities of the park and by making specific recommendations for the implementation of an interpretive program. The interpretive plan proposed here can be integrated with the comprehensive development planning for Birch Hill Park now underway at the Parks and Recreation Department. Preliminary research for this study was done as a University of Alaska class project in the spring semester of 1976. The students in LR 493, Interpretive Services, developed basic information on the natural and cultural resources of Birch Hill and its surrounding region. They also identified policy gaps and provided general guidance for interpretation in the park.2 The plan presented here is a fo llow-up to that work. Additional fieldwork and library research have been done to supplement the earlier effort, and the implementation aspects have been made more specific with regard to the trail and visitor center recommendations. The process followed in this study is adapted from Perry J. Brown's Procedures for Developing an Interpretive Master Plan

Interpreting a Commemorative Landscape: Culp\u27s Hill and Spangler\u27s Spring

Culp\u27s Hill is described as one of the least visited and most under interpreted portions of Gettysburg National Military Park. This paper analyzes some of the sites in the vicinity of Culp\u27s Hill and Spangler\u27s Spring to create a picture of both the fighting on July 2, 1863, and the interactions of veterans and tourists with the area in the years and decades following the Civil War

Springing Forth Anew: Progress, Preservation, and Park-Building at Roger Williams National Memorial

The process of local preservation, urban renewal, and national park building at Roger Williams National Memorial in Providence, Rhode Island, reveals important facets of the urban park idea. In 1958, the Providence Preservation Society and the Providence City Plan Commission jointly released the College Hill Study, which called for renewal of the College Hill neighborhood through preservation of the architecturally significant homes, selective demolition, and the creation of a new National Park Unit dedicated to Providence’s founder, Roger Williams. The new park, established in 1965, went through a lengthy planning process before opening in 1984. The planning process revealed concerns about determining historical authenticity, supporting the revitalized historic district of College Hill, and preventing the park from becoming a haven for undesirable people and activities. Since its opening, the park has grown into a mature green space which is an important part of the civic and cultural life of Providence. The success of this park in fulfilling the goals of its planners and continuing to provide a valued green space for residents demonstrates an achievement that has important implications for ongoing urban park building by the National Park Service

Building Healthy Places with People and for People: Community Engagement for Healthy and Sustainable Communities

Over a 25 year period, residents of the El Sereno  community in Los Angeles have opposed efforts of  investors seeking to build luxury homes on the area  known as Elephant Hill.  After years of community  organizing—canvassing door to door, developing a  broad-based coalition and mobilizing supporters to  attend public hearings—residents declared victory after  the City Council agreed to settle a lawsuit with the  developers by buying the 20-acre site for $6 million to  create a future park.  Residents are glad that a chunk of one of Los Angeles' last undeveloped hillsides  will remain open space in this park poor, working-class Latino community.  Opposition efforts reignited  in 2004 not only to preserve open space, but also to encourage public safety and counter threats to  gentrification.  Elva Yañez, the El Sereno resident who led the most recent efforts to preserve Elephant  Hill, hailed the settlement as a victory for environmental justice: "After a long and hard fought struggle,  the residents of this community have been afforded the environmental protections that are rightfully theirs.   We are pleased that this poorly planned project is not moving forward and environmental justice has  prevailed." [Contreras & Sanchez, 2009; Yañez, personal communication, 2010

Carlisle Photography Studio Collection - Accession 1712

This collection consists of photographs of the Rock Hill area from the early 20th century taken mostly by Marion Carlisle (1859-1940) who operated the Carlisle photography Studio in Rock Hill SC and several taken by his daughter Ora Lee Carlisle (1902-1969). The photographs include several scenes of the 1901 flood, 1903 train wreck, 1916 flood, and the 1926 tornado that struck Rock Hill. Other scenes include downtown Rock Hill, Main Street, White Street, Hampton Street, Train depot, St. Johns Methodist Church, Kings Mountain Park Monument, Confederate Park, Central School, the Rock Hill Dam, Winthrop College, and several photographs of the Great Falls Dam being built including the lock keepers house (known as the “Rock House”) and an possibly an image of the Great Falls.https://digitalcommons.winthrop.edu/manuscriptcollection_findingaids/2677/thumbnail.jp

Lunchtime walks. The 40 minute hill ascent. John Henry Brookes Building - Headington Hill Park - Morrell Avenue

Leaflet giving directions and a map for a 40 minute circular walk from the Headington campus, Oxford Brookes University. The route is quite hilly and can be a bit muddy. Full walk is 1.93 miles (3.10 km

Review of \u3ci\u3eJulius Seyler and the Blackfeet: An Impressionist at Glacier National Park\u3c/i\u3e by William E. Farr

The turn from the nineteenth to the twentieth century saw the conclusion of the Great Northern Railway (1893) and the birth of Glacier National Park in Montana (1910), two events so tightly interrelated through the family of railroad tycoon James J. Hill and his son Louis W. Hill that they would come to be automatically associated in the minds of many twentieth-century Americans-especially the prospective middle-class tourists from the metropolitan East who were following the Hills\u27 promotional exhortation to See America First and experience a tamed version of western wilderness at Glacier Park: outdoor adventure and close contact with what was deemed the remnant of a prior era, the Indian included. In the course of these campaigns, Louis Hill engaged a number of visual artists-painters, graphic artists, photographers, and filmmakers- to create lasting and iconic images to be associated with the Park